The Brazilian Netflix translation preferred to name this film ‘The Good Nurse’ in favor of ‘The Night Nurse’, as they highlight the crimes committed by Charles Cullen in place of Amy Loughren’s courage. And we can see with this that the Brazilian values sensationalism to the detriment of the rest.
The dramatic thriller by director Tobias Lindholm (Oscar nominee War) is interested in passing on to the viewer the relationship that was built between the two central characters, who already know from the opening scene that Charles is the murderer (even if the proportion of his crimes comes to light in the earlier signs only in the end credits).
The screenplay by Krysty Wilson-Cairns is based on the book by Charles Graeber, the story shows Amy as a nurse who is overworked at the hospital she works, waiting for the duration of her employment contract to give her the opportunity to have health insurance so she can care for a congenital heart condition that could cost you your life. Taking a patient on the stretcher, for example, can cause arrhythmia and shortness of breath.
That’s why Amy is happy with the arrival of Charles, because, in addition to him being helpful at the hospital, he also fills the gaps in her life by being her friend. But, the death of a woman about to be discharged starts a police investigation, administrative of the nurse, who suspects that Charles is responsible for criminally administering insulin to the patient until causing her death. How to watch movies for free on the internet? Only you download the Youcine free apk and check out anime, anime movies, series and more! Enjoy, download the Youcine free apk now, you will love it!
The Nurse of Death is a typical production of a serial killer, but it is developed in an atypical way: there is no way to have thrills, that is, shocks, tension when the act would cause Amy’s death. Her exploration of heart disease drops like a ticking time bomb that is always on the verge of exploding but never does. For this, the sound editing mixes sounds of the patients’ heartbeats on the monitor with the irregularity of the protagonist’s own heart rhythm, and even makes the viewer wonder about the need for the scenes that have Amy running up the hospital stairs. In fact, Amy was just going to check to see if the serums were tampered with in the pantry. She could have taken the elevator, but the script saw fit to manufacture a tension in which she shouldn’t have
The script also explores the coexistence of hospitals with the crimes committed. Not by action, but by omission, because, in order to avoid the lawsuits of the surviving family members and the bad publicity that could exist, it washed its hands, firing Charles, instead of denouncing him so that he would be properly punished, thus leaving the free way for nurses to commit crimes in other hospitals. In this way, it is possible to see the character of Kim Dickens equally as a villain, for acting only in favor of corporate and capitalist interests, to the detriment of placating the crimes committed by Charles.
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Director Tobias Lindholm criticizes the North American health system: the issue of health insurance, the lack of a Unified Health System and the hospital budget that makes it difficult to hire professionals. In a contrary way, the script portrays in good eyes the police duo Tim (Noah Emmerich) and Danny (Nnamdi Asomugha), focused on solving the crime, even if they need to use Amy as a means to catch Charles. To quote them, the relationship built is one of the most intriguing I’ve seen this year: at the beginning, Charles’ presence ensures Amy’s tranquility; then, she must feign ignorance about the crimes committed, forcing Jessica Chastain to have an irresolute and urgent tone to the nurse’s exhaustion.
Meanwhile, Eddie Redmayne operates within a principle in which we do not perceive evil or cruelty in Charles. The acting also has the good decision to reveal him as a guy who seems to make a grandiose effort to socialize, less close to Amy, making his relationship with her even more incendiary.
A work that I highly recommend you to watch. Above all, Jody Lee Lipes’ photography is right when she puts the color green as the central one, the predominant color of nurses’ clothes, but also that assumes the disease and evil that has been happening in the hospital corridors.
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